Seth, Icarus and Travel by Dart

Polar Bear Sketch copyright Christine Montague 2013 In his latest book, The Icarus Deception, marketing guru Seth Godin shares his ideas on how art has evolved, who is an artist, and the importance of the “connection economy” to both.

Seth writes “Art isn’t a result; it’s a journey. The challenge of our time is to find a journey worthy of your heart and your soul…there’s an abundance of things to buy and people to hire…What’s scarce is trust, connection, and surprise. These are three elements in the work of the work of a successful artist…”

He goes on to say “The internet network connects people to one another, people to organizations and best of all, people to ideas... Welcome to the connection economy…anyone with a laptop is now connected to just about everyone else. ..it’s the bridges between people that generate value”

Here’s how two good friends, Matt Cook and Sorin Mihailovici, decided to have an adventure, but created much more. Their vision of travel became a story that surprised and connected us to their ideas. It fanned our trust so that we shared the story and supported its occurrence.  Matt and Sorin did the dreaming, the planning and the travelling, but the connection economy was key to their success.

Matt and Sorin are the Edmonton, Alberta, Canada guys who, in 2011, threw caution to the wind and a dart at the map to choose a destination for an adventure of a lifetime.  Dart thrown, they only had a month to sort out logistics and raise a heck of a lot of money for their trip to… (wait for it)…Svalbard, Norway.

Svalbard. Closest town to the North Pole. 24 hours of darkness. 2000 people.  3000 polar bears.

Now most of us, if we dared to throw the dart, would celebrate that it landed on Svalbard oops, slipsies count, Hawaii, and head straight on down to the closest convenience store to buy us a lottery ticket.

But Sorin and Matt? Not these guys. They got their “grit”, as Seth calls it, going. They made the decision to fundraise for the polar bear, as well as themselves.  Polar Faith.com was on its way.  Through their website, social and traditional media they shared the Polar Faith story.

And the story delighted us. We trusted, and connected to them because their story was fun, and they sounded like fun, too.  They could be the guys next door. The story was new, told with passion, humour and some urgency. They didn’t have a lot of time, these guys, to make it on their way. Let's help.

We helped by further growing the connections. The story spread across Canada in the media and online.

I think we wanted Polar Faith  to work, and so I hope backing was as successful as it seems. It was certainly convenient and trustworthy (paypal).  As well, Matt and Sorin, returned the favor.  From hand warmers to personalized videos, thank-you items scaled to financial contribution.

Matt and Sorin personally answered their emails. There was value in this. Everyone was giving and getting something for their part in the project. Connections and trust? Established.

By the way, this is where my personal involvement came in. I had just competed my large oil painting “Polar Bear Swimming in the Northern Lights” here and I planned for more paintings in the series. So why not give to a project that both captured my imagination and  helped polar bears?

In return for my modest financial contribution to their trip, I received back more than my money’s worth. Shortly before New Years Eve 2011, a photo arrived in my email. Taken  New Year’s Eve, Norway time, the bundled up duo stand in the dark under a North Pole sign. Thumbs up, they are holding a home-made sign with my url www.christinemontague.com My family roars with laughter (the wonder of the internet), I share it online in a blog click here and in Happy New Year Greetings emails to family, friends and clients. An 8 x 10 printout hung in my open artist studio at the Williams Mill Visual Arts Centre until I left the end of 2012,  and another one hung for months in the only public washroom there (whatever works). (Note: This photo, along with a nice shout out - is on the front page of their new website. Scroll down once you click www.travelbydart.com Thanks Guys!)

Matt and Sorin documented  their very excellent adventure. The short  film "Polar Faith"  premiered March 3rd, 2013 at the Global Visions Films Festival, Edmonton, Alberta.

They have created a pilot for a television series “Travel by Dart”.

By Seth Godin’s definition of art, Matt and Sorin seized new ground and made connections between people and ideas.  They may have started with a map, but continued without one. According to Seth ”these are works of art, and if you do them, you are an artist, regardless of whether you wear a smock..”

The journey’s the art, along with entrepreneurship, customer service, invention, connection, technology, leadership, and all those other thing Seth talks about in the evolution of fine art. The internet and “connection economy” allowed Matt and Sorin to share their invention “Polar Faith”, and fund their project.  Previously, the final product, the film, was the “art”, and the journey, the prep work. In this new model,  the journey, and the connections made are the art, and the movie and the TV show, the very fine byproduct.

Happy International Polar Bear Day!

"In the Presence of Royalty" Illustration for CRAM, Sketchbook Project 2013 copyright Christine Montague 2013 Today is International Polar Bear Day. Here's an interesting FAQ page from Polar Bears International. http://www.polarbearsinternational.org/about-polar-bears/faqs

And although most of us have learned by now, that penguins and polar bears do not co-exist, I did not know "arctic comes from the Greek word for bear, and Antarctic comes from the Greek meaning the opposite, without bear" (Polar bears International). 

How sad would it be, if re: the polar bear,  "Antarctic " applied to the world?

Perhaps , all the snow we have received today in the Toronto Area, will not seem as miserable, if regarded as a tribute to the mighty ursus maritimus.

Polar bear Spirit in the Sky. Illustration from CRAM, The Sketchbook Project 2013 Copyright Christine Montague

New 905 Museums and Galleries

In an earlier post (here), I talked about the three E's of art: engage, entertain and educate. Below are some 905 ( Toronto Area) municipal art venues - museums and galleries - that do just that. In case you are unfamiliar with Toronto, (province of Ontario) it is Canada's  largest city. Head your car west along the edge of Lake Ontario and seamlessly you pass into 905 country (the area code), and Canada's 6th largest city, Mississauga. Continue on your trek  west, and you pass with little notice of division into Oakville, and then Burlington. North of Mississauga is Brampton, Canada 9th largest city, and west of it, is Georgetown (Halton Hills). Milton is sandwiched between Oakville and Halton Hills.

Two of the country's major cultural venues , the Royal Ontario Museum (ROM) and the Art Gallery of Ontario (AGO) are in the Toronto downtown core. One would think this would be an advantage to all these cities joined at the hip to TO. In fact, many of us face the dilemma that these venues  are actually "near and yet so far". Yes, Toronto, on the google map is "near".  However,  inadequate intercity public transportation, traffic gridlock,  the high costs of  TO parking, venue admission, and time traveled, make these venues "so far".  And, lets face it, if you live in a city as large as Mississauga or Brampton, wouldn’t you expect to have exciting & educational cultural venues right in your own hometowns? Places where you could drop by for an impromptu visit with the family without saving for a month, and clearing the calendar?

Well, guess what! 2012 brought forth a whole slew of  art venues that are renew in energy or size, or just... new! And, there is much more to just looking at paintings on a wall to these places, not that I don't love doing just that. These are family friendly, inspirational,  educational, entertaining, engaging, thought-provoking places with a diverse choice of exhibitions, programming, events, and community collaboration. .

Now remember, in the big scheme of things, all these cities are very, very young, and so grand institutions as one might find in New York, have not had time to evolve. However, there is the new understanding that a cultural city is a healthy city, and that citizens, even if they don't attend cultural venues, like to know they are there, and miss them if they are gone. And, more importantly, each of these cities has their own cultural identities, and affordable accessible art venues are a great place to express, learn,  and celebrate this.

Ta da! Here they are -

Mississauga

The Art Gallery of Mississauga (The AGM). www.artgalleryofmississauga.com/

Outgoing AGM Curator Stuart Keeler and his accomplished AGM team have definitely upped the ante of this relatively small (by city size) municipal gallery. They are energetically committed to connect, engage and inspire the region’s citizens, as well as its’ visual artists.  Here's why it's well worth your while to check out the AGM -

  • Twitter chats. One is coming up Feb. 7th on juried art shows
  • The recent Lord Report recommends the gallery be a building of its own. (Was there a doubt?) Volunteer, be a docent, etc. Be at the grass-roots of exciting things to come!
  • Fee to enter – by donation. But join the gallery to receive a bundle of perks
  • Other notes? Just a door away from Celebration Square. Bring your skates.
  • Parking: Mississauga, all grown up, charges for parking everywhere (at last check $1/hour). However, there is underground parking at city hall, and metered parking on the street. Note: Unfortunately, you are taking your chances to get a ticket if you park in the neighboring Square One Mall.

Brampton

PAMA (Peel Heritage Art Gallery, Museum and Archives) www.pama.peelregion.ca

The former Peel Heritage Museum has always been an attractive, inviting venue.  My whole family has enjoyed visits to what was formerly Brampton’s city jail.  Recently, it reopened after two years of extensive (and stunning!) renovation and expansion. The photos in the link below will give a better idea of this remarkable new arts venue dedicated to art, history and education   http://www.pama.peelregion.ca/en/aboutpama/PhotoGallery_BuildingsAndGrounds.asp

Admission: Free for preschoolers, $1 for students. $1.50 for seniors and $2.50 for the rest

PAMA is located on the east side of Main St., ie. Highway 10 (Hurontario in Mississauga) and overlooks beautiful historic Gage Park with its unique skating paths (bring your skates here, too!). Metered street parking or in the Brampton Civic Centre, kitty corner to PAMA. A short walk north of PAMA brings you to the lovely Rose Theatre and Beaux-Arts Brampton Artist Co-operative and Gallery.

Kitchener

“M” TheMuseum www.themuseum.ca

TheMuseum opened to much fanfare in the fall.  AVATAR: The Exhibition  marked its Canadian première at M and it was the first stop on its North American tour. I haven’t been there yet, but since so many of the western GTA (Greater Toronto Area or 905) students go away universities and colleges in that area, I hope they are checking it out.

Oakville

Queen Elizabeth Community Centre and Cultural Centre Click Here

Oakville has reinvented this former high school as a community centre as well as a venue for many of  Oakville’s not-for-profit arts and culture groups. There are studios, and a gallery and corridor exhibition space. Bring your swim suit as it seems there's a pool, too. The Oakville Arts Council office is also located here. If you are a Halton artist ,you may want to join this supportive group.

Burlington

The Burlington Arts Centre www.thebac.ca

This dynamic arts centre is home to galleries, an impressive fine arts shop and art rental program, area guilds, mentorship programmes, and studios for working and learning. On Sunday afternoons there are often excellent free workshops and discussions for visual artists. This is a great place to visit, be engaged with, and shop for art.

Georgetown (Halton Hills) Here

Newly reopened after two years of expansion is the Halton Hills Cultural Centre, a theatre, gallery and library rolled into one. The gallery was once a church and the beautiful stained glass windows are still there. Formally, the gallery dedicated itself to supporting shows  by local artists, but a large art donation to the centre may have changed its mandate. See here http://www.theifp.ca/news/art-collection-worth-800k-donated-to-town/

Milton http://www.miltoncentreforthearts.ca/en/AboutYourCentre.asp

Opened in 2011, this state of the art facility is home to gallery and performance space and more. Here is the FAQ sheet for this centre of creativity. http://www.miltoncentreforthearts.ca/en/aboutyourcentre/resources/centre_for_the_arts_faqs_aug-10.pdf

List of Call to Artists: Art Show Submissions Western Greater Toronto Area 2013

In the last two years, the western Greater Toronto Area (GTA) artist community has lost two annual juried art shows to show their paintings, photography & sculpture. No longer are the Peel Heritage Centre's prestigious annual show (Brampton) and Halton Hills Cultural Centre’s community “The John Sommer Annual Juried Art Show” (Georgetown).  Both venues have undergone remarkable renovations in the past two years. The Peel Heritage Centre is now reborn as PAMA. An unexpected donation of an art collection altered the Halton Hills Cultural Centre's gallery’s focus from community-centric exhibition to a more staid model. But take heed; there are still  juried art shows to enter in 2013.  For some of the shows,  it is too early in the season for the posting of exact deadline dates. Thus I have included a "heads up" date based on when the show deadline was the previous year.

By the way, there is a lot of discussion out there that juried shows are a "money grab" and other negative thoughts.

But juried shows are a very useful tool in your art career strategy. They are one way to build your c.v. when starting out, get a new work or style out before the public, get your work before juror you admire, support your local art community, (club, gallery, or council) and do that all important networking at that opening party, that is, oh, so important (as well as so painful to many of us).

And sure, the judging has a subjective element; after all, it’s art! Judges react, just as you would, with their hearts and personal preference, but they also judge with the years of ability for which they have been hired. Most shows hire more than one adjudicator, and I have witnessed first hand, the very careful thought behind the choices.

Happy planning & best of luck, everyone!

2013 CALLS TO ENTRY Please remember to check requirements & eligibility.

Some Other Calls for Entries of Interest

Cram the Polar Bear World: The Sketchbook Project 2013

Copyright Christine Montague. "In the Presence of Royalty". The Sketchbook Project 2013". Grpahite. The little envelope containing my sketchbook from The Sketchbook Project, somehow was mislaid during my studio move, and completely out of mind with the excitement of family home for Christmas. My memory was suddenly jogged when The Sketchbook Project people wisely sent out a "deadline tomorrow" email yesterday.

There was no way I was going to miss out on this  terrific drawing project where artists from around the world have their sketchbooks (provided by the project) on display in the Brooklyn Art Library (U.S.A.), as well as online, and in a travelling art show.

So, what to do?! With less than 24 hours to fill a sketchbook, I would do the student "thing" and CRAM which, by the way,  became the sketchbook title, and maybe more than that , too.

And what did I draw? Why I followed The Sketchbook Project recommendations:

" The Sketchbook project is a space for new work and experiment - it's not intended to be a portfolio" and  " ...follow your book wherever it takes you and change your mind along the way".

And that's exactly what I did, I veered off the course of the few sketches I had done before Christmas and my move out of my Williams Mill studio, and spent well into the night immersed into my polar bear fantasy world.  You know how it is when you have a good book you can't put down? That's how I felt last night as I worked deep into the night with ease.

To read more about The Sketchbook Project 2013, and to mark it on your calendar to take part in,  visit www.thesketchbookproject.com

Also I'd love to know what you think of my foray into fantasy illustration, and if you'd enjoy more posts on this.

An Artfelt Wish for a Happy New Year

ImageToday was my last day as an artist with an open studio at the Williams Mill Visual Arts Centre, Glen Williams, Ontario.  I have had a great three creative years there, including my time as the Mill Artist Group Chair. But a new year and a desire for more time to paint, blog, tweet and more, has me taking new steps. To all the hundreds of people that have visited my studio, and I hope you are one, I wish to thank you for your patronage, and wish you all a happy, healthy and creative 2013!

 

Polar Bears in Orangeville

No danger though, the seven polar bears in question are the 8" x 8" polar bear portrait oil paintings I completed earlier this year. This is their first excursion out of my Williams Mill studio, and you can see them at the Dragonfly Arts on Broadway Gallery in Orangeville, Ontario. Joan Hope, the very personable gallery owner, and a great lover of original art, and supporter of Canadian art & Canadian artists, saw them online and asked that I bring them in. Done!

These Ursus maritimus portrait oil paintings, inspired by Inukshuk, the Toronto Zoo's male polar bear, are studies for future larger artworks. Thus I have priced them similarly to my little portrait painting series (here) . They are 8" x 8" gallery mount canvases,  framed in black floater frames, and are easily shipped.

If you would like to see these polar bear portraits in person or would like more information. Here is Dragonfly Arts contact information: 189 Broadway, Orangeville, ON L9W 1K2 (519) 941-5249 ‎ · dragonflyarts.ca

Here's the google map http://goo.gl/maps/fwP4

Well, I realize not quite like the remarkable story of the British Columbia man who can swim with the polar bears, http://www.youtube.com/watch?v=g7rZTZBOrqQ&noredirect=1 but I hope you enjoy perusing these works online, or at Dragonfly Arts.

P.S. Orangeville has a delightful main street, Broadway, with Dragonfly Arts, home design shops, Orangeville Theatre, an art supply store and a myriad of restaurants for every taste.  Plenty of free parking, too. I can't tell you how great it is to find parking almost in front of the gallery so I can unload my work with ease!

Polar Bear Portrait 1. "Inukshuk" 8" x 8" oil painting copyright Christine Montague

Polar Bear 6 oil painting portrait. Copyright Christine Montague

Polar bear Portrait painting 7 copyright Christine Montague

And for a great story about encounters with a polar besr listen to cbc radios The Wild Side with Grant Lawrence. It's great. http://www.cbc.ca/thewildside/

For some great reading about polar bears in Canadian north, and the effect of changes in snow on reproduction, read this related article

The Dog's Gone

We've had such a great winter here in the Toronto area. The artists at the Williams Mill have been more than grateful not to face the ice and snow on the steep hills that lead into Glen Williams and the Mill studios.

But still, I felt a great sense of relief that spring officially arrived this past week.   And this expressed itself in the painting seen centre of the photo above.  Meant to be the finished painting "Dog in Fog" inspired by the study at the left  (also done last week ), I 'm thinking it could easily represent the departure of the "dog days" of winter and that the title needs a rethink.

About the chair. My daughter adored this chair  owned by Naomi Assenheim, (Opal Wing Creations) the talented young jeweller here at the Mill.  Naomi was my studio mate in the Stone Building, until her move to a new studio in the Williams Mill Yellow Mill (The  Mill has four buildings housing artist studios).  So I purchased this magical chair as a surprise gift for my daughter, but somehow it's never made it out of my studio.  Any visitors to my studio who are old enough to remember their parents having such a chair, or have owned one themselves,  are not too impressed by this new edition. But for those into retro furniture from the sixties and seventies, it's a definite hit.

And for me, its soft green and gold material inspires thoughts of spring and magic in the air.

What do you think?

PS. Normally, I load my high walls with my paintings. I enjoy this airier look, although it won't last for long as new paintings come to life.

Dogs, Fog, and Collateral

About four years ago, as I turned onto Mayfield Road in Halton Hills, the rumps  of two large dogs, trotting amicably along, appeared immediately before me in the thick fog. Luckily, for the dogs and me, I was driving slowly having just stopped at a light, and that my car's fog lights were doing their job.

Upon hearing the car,  the dogs, both German Shepard, one black, and the other brown and black, traversed  to the opposite shoulder. They never changed pace, or even looked back.  It was only as I snapped a photo, that the brown and black German Shepard,  in the lead,  gave me a glance.

Have you seen the movie Collateral ?  There is a scene where coyotes cross in front of the taxi that holds Tom Cruise and Jamie Foxx. It was my favorite scene in that film, and that is how I felt when these two dogs crossed my path in the thick of the fog.

Fast forward to a couple of days ago. It was overcast and had recently rained. Driving along 22nd side road, on my way out of the glen, I glimpsed two dark shapes emerge from the trees on the hillside to the marshy field below. My first hope, however unlikely, was that these were wolves. I excitedly turned the car around, and over to the side of the road.

Lo and behold, there they were, the same two dogs I had enjoyed photographing in the fog years before.  I fumbled to get my camera out of its bag, and still keep both eyes on the dogs.  They were on the go, when suddenly, these two "littlest hobos"  plunked themselves  down in a large, dark,  mucky puddle. These two must have need a cooling off, further proof, of just how eerily warm March is here in Southern Ontario.

Before I could snap a shot, up and away they went, into the woods, and out of sight.

Back in the studio,  I took another look at the old photo of them.   I knew the brown and black German Shepard had a collar, but that pixellated item around the black dog is a broken rope? Could they be feral? Lots of good rabbit eatin' here in the glen.

No matter, whether farm dog or feral, they seemed healthy, happy, and a team.

Dogs are usually not my thing, but I love the image of the black dog, his pale breath clear in the fog, and the contented freedom the pair represent.

I immediately started the drawing of the black Shepard in fog on a large canvas. But the Mill  "open studio" days, Friday and Saturday afternoons, are  in reality "clean hands days".   So contentedly I painted  the tidy  18" x 24" oil painting study above.

And the dogs? If they do have a home, and I hope they do, I am uncertain how content the owner will be with their muddy exploits.

Polar Bear Portrait Painting 7

Polar bear Portrait painting 7 copyright Christine Montague The seventh in the series of little polar bear portrait oil paintings joins the fifth and sixth portraits of polar bears in the moonlight. The Toronto Zoo's male polar bear “Inukshuk” is the model.

By painting these little portraits  I am familiarizing myself with the shape of the polar bear's head and the structure of his eyes, snout and ears.

The eyes , although intelligent, are so small, I have to ignore my natural inclination is to paint them larger.  I love painting his thick, rounded fuzzy ears - the only thing "teddy bear" about him. But I'm not fooled. In Portrait 8, which I also finished this week,  I painted Inukshuk's very  large teeth.

Related articles

New Portrait Oil Painting: Polar Bear 6

 Polar Bear 6 oil painting portrait. Copyright Christine Montague

The sixth in the series of little polar bear portrait oil paintings now dries on my easel. The Toronto Zoo's male polar bear "Inukshuk" is once again the model, and as in the fifth portrait, he is lit by the moonlight. Two more of these little portraits are blocked in and waiting completion. Yup. Those big blank canvases are calling for attention now.

New Portrait Painting: Polar Bear 5

This is the fifth 8" x 8" polar bear portrait oil painting in my "Polar Bear Dreams" Series. Inukshuk, the male polar bear at the Toronto Zoo is my model.

The first four little portraits (here) in these series have aqua blue backgrounds that suggest ice. However, as the larger works in the series will feature polar bear in the night sky, I switched to the dark blue background. As much as I love the first four portraits, I am quite satisfied with the result.

Don't you feel you are there, with Inukshuk, in the moonlight?

Happy Ground Hog Day Art

Happy Groundhog Day! Good luck, Wiarton Willie & Punxsutawney Phil! We all have those paintings where we wonder what was I thinking? However, this groundhog has supplied me with a lot of fun in blogs and in the studio. And when it was in the studio, there were visitors who adored it, especially if they were from the Wiarton, Ontario  area. A bit of home.

 

More Little Portrait Paintings

For those of you who don't know I am gradually filling one of my studio walls with my 100 Little Portrait Project a series of 6" x 6" portrait oil paintings on canvas portraits. Here are a few of the portraits commissioned before Christmas.  I work from photos e-mailed to me, or from photos I take, if the subject comes to my studio on my "open to the public" days.

But so far, to my surprise,  almost every painting commissioned  is as a surprise gift for a loved one. Do you know that goes for my large portraits, too? They are almost always a gift!

Seth Says

At the centre where I have my studio,  big decisions are waiting to be made, and we artists are invited to have our say. Seth Godin's daily blog has just arrived in my inbox. His message, as usual, is like a horoscope for my day.

Here's some good advice from Seth, with a pinch of Jack Layton , don't you think?

You get to make a choice. You can remake that choice every day, in fact. It's never too late to choose optimism, to choose action, to choose excellence. The best thing is that it only takes a moment -- just one second -- to decide.

Before you finish this paragraph, you have the power to change everything that's to come. And you can do that by asking yourself (and your colleagues) the one question that every organization and every individual needs to ask today: Why not be great?

Happy New Year and a January 1, 2012 Thumb Up from Norway!

I just wanted to wish you all a Happy New Year! Hot of the presses, I just received this Jan. 1st, 2012 photo of my url www.christinemontague.com from Matt Cook and Sorin Mihailovici, the "dart guys" from Edmonton, Alberta, Canada.

Matt and Sorin, are presently in Svalbard, an archipelago in the arctic that makes up the northernmost part of Norway and where there are more polar bears than humans.  It has been 2012 there for a few hours!

So why are  these two adventurers (who I don't know) holding a poster with my web site markered on it up at Norway's North Pole?

Matt and Sorin are fundraising for the polar bear in a very unique, highly creative and fun way . Go to www.polarfaith.com to learn more and to follow their journey. You'll find out why they are called the "dart guys, too!

And, If you're like me, you'll envy them , ...um, offer a bit of financial support to their very worthy cause.

Wishing you all two thumbs up for 2012 from here in southern Ontario . Not quite as exciting as one thumb up from Norway, but the wish is sincere all the same.

New Cold Wax Oil Painting Collectibles

 

Cold wax painting is the search word subject most used to bring visitors to my blog.  It's been just over a year since I took my workshop with the  creative Janice Mason Steeves and my curiosity about this interesting medium (along with yours) continues to grow.

I haven't experimented with cold wax as much as I 'd have liked, but I enjoy how my painting style changes when I do these little art works.  I work  fast and free with my Wilton pastry cutter and oil paint mix. I think some of these small works would translate well into large acrylic paintings on canvas, don't you?

So scroll down to see my most recent cold wax and oil paintings below. The Williams Mill Gallery has added them to the "Big Show, Small Works" one of a kind gift show on until Dec. 24th.

Once again, the historic 1850's yellow lumber mill outside my Williams Mill studio window are the inspiration for these cold wax panels. And when I do a painting involving koi, water-lily and ponds, the Chappell House Pond at Riverwood Park, Mississauga is my inspiration.

 

 

 

Lake Dreams: New Art Show Dec. 1 - 24, 2011

I hope you can attend Lake Dreams, my solo show of new oil paintings,  at the Williams Mill Visual Arts Centre, in Glen Williams.  December  1 - 24, 2011. Wednesday - Sunday 12 - 5 p.m. You can read about some of the Lake Dreams paintings here.

Williams Mill Gallery Williams Mill Visual Arts Centre,  515 Main Street, Glen Williams, (Georgetown), Halton Hills, Ontario, Canada L7G 3S9

Tel: 905-873-8203                                    

gallery@williamsmill.com.