Oil paint

Dogs, Fog, and Collateral

About four years ago, as I turned onto Mayfield Road in Halton Hills, the rumps  of two large dogs, trotting amicably along, appeared immediately before me in the thick fog. Luckily, for the dogs and me, I was driving slowly having just stopped at a light, and that my car's fog lights were doing their job.

Upon hearing the car,  the dogs, both German Shepard, one black, and the other brown and black, traversed  to the opposite shoulder. They never changed pace, or even looked back.  It was only as I snapped a photo, that the brown and black German Shepard,  in the lead,  gave me a glance.

Have you seen the movie Collateral ?  There is a scene where coyotes cross in front of the taxi that holds Tom Cruise and Jamie Foxx. It was my favorite scene in that film, and that is how I felt when these two dogs crossed my path in the thick of the fog.

Fast forward to a couple of days ago. It was overcast and had recently rained. Driving along 22nd side road, on my way out of the glen, I glimpsed two dark shapes emerge from the trees on the hillside to the marshy field below. My first hope, however unlikely, was that these were wolves. I excitedly turned the car around, and over to the side of the road.

Lo and behold, there they were, the same two dogs I had enjoyed photographing in the fog years before.  I fumbled to get my camera out of its bag, and still keep both eyes on the dogs.  They were on the go, when suddenly, these two "littlest hobos"  plunked themselves  down in a large, dark,  mucky puddle. These two must have need a cooling off, further proof, of just how eerily warm March is here in Southern Ontario.

Before I could snap a shot, up and away they went, into the woods, and out of sight.

Back in the studio,  I took another look at the old photo of them.   I knew the brown and black German Shepard had a collar, but that pixellated item around the black dog is a broken rope? Could they be feral? Lots of good rabbit eatin' here in the glen.

No matter, whether farm dog or feral, they seemed healthy, happy, and a team.

Dogs are usually not my thing, but I love the image of the black dog, his pale breath clear in the fog, and the contented freedom the pair represent.

I immediately started the drawing of the black Shepard in fog on a large canvas. But the Mill  "open studio" days, Friday and Saturday afternoons, are  in reality "clean hands days".   So contentedly I painted  the tidy  18" x 24" oil painting study above.

And the dogs? If they do have a home, and I hope they do, I am uncertain how content the owner will be with their muddy exploits.

New Portrait Oil Painting: Polar Bear 6

 Polar Bear 6 oil painting portrait. Copyright Christine Montague

The sixth in the series of little polar bear portrait oil paintings now dries on my easel. The Toronto Zoo's male polar bear "Inukshuk" is once again the model, and as in the fifth portrait, he is lit by the moonlight. Two more of these little portraits are blocked in and waiting completion. Yup. Those big blank canvases are calling for attention now.

More Little Portrait Paintings

For those of you who don't know I am gradually filling one of my studio walls with my 100 Little Portrait Project a series of 6" x 6" portrait oil paintings on canvas portraits. Here are a few of the portraits commissioned before Christmas.  I work from photos e-mailed to me, or from photos I take, if the subject comes to my studio on my "open to the public" days.

But so far, to my surprise,  almost every painting commissioned  is as a surprise gift for a loved one. Do you know that goes for my large portraits, too? They are almost always a gift!

Cat Not Out of the Bag...Yet

Any one who has owned a cat, or even been around one for a while, knows that cats have a thing about bags. If a bag is open, the cat will do its best to make its home. Well, this seal point Rag doll cat, has set up house in a paper bag, his "cat cave", if you will. He figures that if  he can't see you, you can't see him, and all is well with the world. From the safety of his trusty paper bag he will watch the world go by until he succumbs to a nap.

I finished this larger than life cat painting of a Seal Point Rag Doll cat in a bag, today. It is the latest in my series of big cat paintings. As you may have surmised, by "big cat", I don't mean tigers and lions (and bears, oh my). The reference is literal in meaning. Domestic cats painted big. Very big.

These oil paintings pay homage to the character (talk about character) of our feline friends, by the fact that we look up at the subject portrayed. But  the cat, himself?  He probably thinks that these paintings show us in our true light as something much, much smaller (see "Who's For Dinner?").

Whatever the case, this cat,  drying on the easel in my studio in the Williams Mill Visual Arts Centre, is not yet ready to be out of the bag and on the wall.

 

Night Canoes

Night Canoes. Latest work drying in the studio! 24 inch tall by 48 inch wide oil painting on gallery canvas. Glowing in the moonlight these vessels are in limbo between yesterdays adventures and tomorrow's excitement. I wonder what their masters are dreaming of? Where they were, what lies ahead or a jumbled story of both.

Please note: The colour isn't quite correct in  this iphone shot.

One Of These Things Is Not Like The Other

The large 48" x 48" cat painting seen at the top of the photograph is an original oil & oil stick painting entitled "Who's For Dinner?!"

This graphic painting with a bit of dark humour to it,  has received so much  positive attention from visitors to my Williams Mill studio in Halton Hills that I am now offering a giclee reproduction on canvas print of it.

The original painting "Who's For Dinner" is 48" x 48" . It is a black, silver & white oil stick and oil painting on gallery mount canvas. The edges are painted black. Please feel free to contact me about the original painting's price.

There are two sizes of giclee.

36" x 36" giclee on canvas is at the introductory price of $300 Cdn + HST.  The  slightly metallic silver oil paint looses this metallic sheen in the reproduction, but as you can see above, the two are remarkably similar. The print is also on gallery mount canvas and the edges are black. Only for the original will be 48" x 48".

12" x 12" giclee on canvas is at the introductory price of $79 +HST. It is also on a gallery mount canvas.

Perhaps, the poor Golden Lab "Guilty",  should be "Concerned".

What do you think?