Yes, Virginia, There Are Art Cards in the Studio

It is always a good day when I open my mail super box & see a key, because a key means that I have a parcel. And who doesn't like a parcel? Inside this parcel, were 90 fine art greeting cards with images of my paintings on them. After having repeated inquiries for greeting cards in my studio, I relented. I ordered a small trial batch before Christmas...and without any effort on my part, they sold out! Seemed only natural to order more.

Now I had nothing against greeting cards. It is just that self producing them, i.e. printing & packaging, is a time-consuming process. If you consider the value of the time better spent in the studio, time spent making one's own cards, well.. it just wasn't for me.

So when I heard of a company that not only prints them, but packages them nicely too....well... I reconsidered, gave them a try, and here I am, checking out 10 different styles of cards.

I have to admit it's pretty fun to open a box filled with cards with my paintings on them. Now, just to someday open that box with the books with my paintings in them............

Anyhow, there are art cards in my studio and I hope you'll like them too.

A Winter Treat - Don't Miss Sommer Art Show Opening. A Five-Fold lesson in Visual Arts Vision, Legacy & Generosity

A Winter Treat - Don't Miss Sommer Art Show Opening. A Five-Fold lesson in Visual Arts Vision, Legacy & Generosity.

A Winter Treat - Don't Miss Sommer Art Show Opening. A Five-Fold lesson in Visual Arts Vision, Legacy & Generosity

Being a visual artist in Canada is a rough haul, but there are certain wonderful people one meets along the way that lighten the load, and encourage the journey. There are also certain art shows and  venues that enlighten the path. Here's how an upcoming art show, A Lasting Gift: The John & Gisela Sommer Collection January 8th - Feb 6th (Opening Jan. 16th) carries the five fold whammy of John & Gisela Sommer,  The Sommer Collection, Art Gallery of Peel, Sybil Rampen, and Joshua Creek Heritage Arts Centre. For many years, Georgetown's John and Gisela Sommer have been enthusiastic supporters of  visual artists in the GTA*, particularly in the western region of Halton Hills and Peel.   Many a visual artist has been the lucky recipient of their generous support  either in word or deed. The Sommers not only collected art, they exhibited it at Gallery Sol, their home turned gallery, in Georgetown, Halton Hills, Ontario.

I first met John, when, as juror, he awarded my painting Top Award at a juried art show. A few months later,  I discovered that this soft-spoken and lively gentleman, and his charming wife Gisela, were popular visitors at the Williams Mill Visual Arts Centre in Glen Williams, where I just opened a studio. John often made reference to the Gallery Sol, which was, at that point, after decades of being open,  was winding down.

My mistake was in assuming it was a showcase for regional artists. What I didn't realize was that the Sommers had an incredible collection of contemporary printmaking, painting, sculpture and photography that included Andy Warhol, Jack Chambers, Leonard Hutchinson and David Hockney. Luckily, I will get a another chance to see this art, and so can you!

The Sommers have recently generously donated their art collection (ensuring their legacy as well as that of many regional artists) to The Art Gallery of Peel (Peel Heritage Complex, Brampton). This art gallery, in the midst of transformation into a remarkable new venue across from Brampton's Gage Park, is temporarily closed. Until then,  200 of these art works will be on exhibition at Joshua Creek Heritage Centre in Oakville, Ontario.

The grand opening of this art show and opportunity to meet the very wonderful John & Gisela Sommer is Sunday, January 16, 2011, 2 - 4 pm.  Joshua Creek Heritage Centre Gallery . Click here for map.

Oh, and as for Joshua Creek Heritage Centre, and artist & visionary Sybil Rampen, who created it, that my friends,  is a whole other incredible story of inspiration, generosity, and legacy! Click here to read more.

*Greater Toronto Ontario

Art connections - Me, the Mill & the AGM

The Model Visits the Studio, the oil  painting I recently completed of my Williams Mill studio, has  been accepted into the Visual Arts Mississauga 33rd Annual Juried Art Show at the Art Gallery of Mississauga. That's not the only Williams Mill connection. My daughter, the figure featured in the painting, and the subject of many of the paintings within the painting, worked in the  Williams Mill Gallery throughout the summer. The show opens Thursday, January 13th at 6 p.m. and continues until Feb. 16th. Jurors for this competition were visual artist Corinne Duchesne and Oakville Galleries Curator of Contemporary Art, Marnie Fleming.  

Nifty Canadian Tire Taboret Christmas Present for this Artist

This may not  have been on most people's wish list but it certainly was on mine! After purchasing the large cabinet of the same series for my new studio in August, this rolling cabinet has been high on this artist's wish list. This is the taboret that will hold my palettes as I paint. I chase the light in my studio and so a table on wheels is a must. Also, as the Williams Mill, where my studio is located, is open to the public Fridays and Saturdays, I always have a quick bit of cleanup for safety purposes each week. Furniture on wheels is a must!

This item is the Mastercraft Base Metal Garage Cabinet Product #68-1224-2. It is pricey, but we , err, santa, was fortunate to get it on sale. It is built like a tank, and is a terrific height. One door locks. The drawers even come with a liner to keep items from moving.  Warning, though. It took my elf helper about 4 hours to assemble. It assembles beautifully, but you  need to set aside a lot of time, and clear a lot of space for its assembly. The wood table top is so nice (and shiny!) I am going to feel quite guilty getting that first bit of paint on it. I am considering having a piece of glass cut to fit the top and use the whole thing as a palette, Normally, I  use up to four disposable paper pallettes at a time spread across the kitchen cart I have used until now.

Note: The cabinet I first purchased which inspired this one is the Mastercraft Metal Garage Tall Cabinet Product #68-1221-8. It holds a huge amount of goods and the construction is impressive. The bottom shelf holds over 400 lb. if you have a particularly heavy piece of equipment. Both items are very heavy and we used a dolly to take them from the car to the studio.  The box this cabinet came in had a very small dent. We took the chance the contents were not damaged as it was the only one in stock. Unfortunately, I was wrong. The last piece in the box was slightly dented - something we decided we would live with as the box was so heavy, and we had already done so much work.  Lesson: always take the box with no dent!

Last Painting of 2010 - Looking Forward to 2011

I finished this 30" x 40" oil painting December 2010 - the last painting of my design before I began my commissions due for Christmas.  This figurative painting is of the model, daughter,  visiting my studio at the Williams Mill. This painting symbolizes many changes. It features my new studio, one of the few times I've painted an interior. My daughter, my model, is usually painted in casual summer get up.

Happy New Year!

Forgetting & Remembering: Remembrance Day Art

 

Somehow, I forgot I did this oil painting. A gift to my son on his 18th birthday, it hangs in our house in the dining room - a room we rarely use (isn't a dining room table for folding laundry?). It shows him climbing, carefree,  at about the age of four, on the War Memorial, located near the Tomb of the Unknown Soldier,  in Ottawa, Ontario, Canada. He is painted realistically, and static, while the figures on the statue are more "ghostly" and moving.

On the eve of Remembrance Day, I though I would share it with you. With all the gut wrenching news in the Toronto Star recently about Canadian War soldiers injured in Afghanistan, and some pretty heart-rending reporting on CBC radio as well, an image of youth,  hope and peace can never hurt.

Note: One day, when I was working in this oil painting, a visitor to my studio mentioned her (great?) uncle had been one of the models for one the figures in this monument to peace.

Where they Are Now! Yup. I'm Still Here Seeing Rainbows.

 

I' m lucky. I may be off to a later start than many of my artist peers, but at least I'm here - painting in my very inspirational studio at the Williams Mill.  You'd never know it is only 15 minutes north of the big city. Looks right out in the country doesn't it? There it is - that promised pot of gold - pointing the way to the studio.

The OCAD University Alumni has had an exciting new initiative in the works. Alumni, of which I am proudly one, could enter work in the very first  alumni juried show entitled "Where They Are Now!".  Jurors were Melissa Bennett, Curator of Contemporary Art - Art Gallery of Hamilton, Maggie Broda, AOCA, Drawing and Painting, President of OCAD Alumni Association, and William Huffman, Associate Director at Toronto Arts Council.

I'm honoured my painting "Down the Light House Stairs" , a figurative painting in the Kincardine Lighthouse, was accepted into the show.

The Opening Reception  - Nov.12  sounds intriguing as all 12 of OCADU's  disciplines will be on display. As well, it will also be the official launch of "In Quest of a Countenance", a new book by OCAD alumni & past faculty, John Inglis. John will donate $5 from each book sold to the OCAD University Alumni Association.

Steam Whistle Brewery and Kacaba Vineyard and Winery are being supportive too. (Wahoo!)

Nov. 18 - 28, 2010. Art Square Gallery. Across from the AGO. 334 Dundas Street W. Toronto , Ontario, Canada. Daily from 9 am to 11 pm.

Hot for Cold Wax Oil Painting Art

One of the joys of being an artist is the opportunity  for life long learning, discovery and play (to misquote Hamlet "The play's the thing!"). Artists are probably one of the poorest (financially) of the professional demographics, but the reward of infinite growth is priceless.

For a while now, I have been curious about the encaustic (from the Greek word "to burn in") or hot wax painting process.  I had a series in mind that I envisioned with the built up, molten, textured, luminous look that results from painting encaustically. However, upon research, I discovered that the traditional hot wax process,  with its fumes (as well as potential toxicity) of melting bees-wax, carnauba wax, damar resin, and pigment, was out of the question in my poorly vented studio which shares air space with 6 other artists.  So recently, when Canadian painter Janice Mason Steeves http://www.janicemasonsteeves.com/ promoted her workshop in the "Cold Wax Process" -no heating wax, no excessive fumes- I enrolled.

Things to find out. How would this process differ from hot wax? How could I apply it my portraiture painting? Would it have the luminous and texture potentials of hot wax? (FYI I have noticed in word searches that bring readers to this article that it is wondered if canvas can be used as a surface. No. You want the solid surface of a panel os some sort so the wax doesn't crack when the canvas bends.)

Jan has a beautiful studio in Rockwood, Ontario, that was large enough for 8 of us to each work at a table of our own. Our goals were to play, experiment with colour, texture, and application on our prepared panels. My biggest challenge was "to play" with the medium. I am goal and product oriented, and any attempts to "play"  resulted in one question "what if I did...?" branching into multiple more. I knew I was hooked when 10 prepared panels just weren't going to be enough!

Dorland's generously supplied the cold wax medium needed. This is the most remarkable product with a multitude of uses. (Sham - Wax!!  :D) Check it out here http://www.paintspot.ca/cgi-bin/advice.pl?s=98 For our purposes we mixed it 50:50 with our oil paint and then squeegeed the resulting colours on in layers. Then the creative exploring started - wiping away, scraping, scratching, writing into, lifting off,  blending, brayering in textured pattern from material, lifting off with newspaper, stencilled into - whatever this creative bunch thought to do.

On the second day, Jan instructed us to make ugly work, i.e., no thinking about finished products. Explore, experiment and play were the order of the day. But at the end of the workshop, when we took a look at each other's work, it seemed, we all failed ! Every piece - and we were a productive group -  had a fascinating element. Eight very tired (playing can be exhausting)  but very happy cold wax converts drove off into the sunset.

Encaustic Painting with Hot wax: Artist Jessie Fritsch has a nice explanation here http://www.jessiefritsch.com/encausticinfo.html

Great explanation here about is cold wax "encaustic". AMIEN stands for Artist Materials Information and Education Network http://www.amien.org/forums/showthread.php?2054-encaustics-with-no-heat

Here's another example of my cold wax work.

"Who's For Dinner" at the Dragonfly? It's Art.

 

If you are up in the Orangeville area - just north of Brampton and north-west of Toronto, be sure to drop into the lovely "Dragonfly Arts on Broadway". My larger than life oil and oil stick painting of a cat , seen from  the viewpoint of "something" much smaller, is featured in the window there until Halloween.  I have heard great things about the Dragonfly Gallery over the past couple of years, but had never been there myself until last week.

Broadway is the "main" street accessed directly off Hwy 10, so the gallery is easy to reach. This main street is attractively maintained, has a variety of shops and eating establishments and the parking is free!

"Who's for Dinner?"  - a huge attraction in my studio - is the latest in my big cat series. I don't paint with decorating in mind, but with its dramatic scale, use of black and silver, I have not been alone in  imagining it over a leather couch or over a server in a contemporary dining room. See it at the delightful Dragonfly Arts on Broadway Gallery http://www.dragonflyarts.ca/ until the end of October.

New Painting

 

A new painting - a 20" x 20" oil painting study of a child created for "Second Saturday Collectors Special" at the Williams Mill where I have my studio.  Admired but still available!

Crossing Into Night. New P.E.I. Painting

Here is the latest large (60" x 30") oil painting. New looser, contemporary style, but it conveys everything I wanted it to. Can you feel the uplift? My son, crossing a tidal pool in the red sand shore of Prince Edward Island, is doing his best to walk on water and not step on the myriad of life  found in its depth. Past this tidal pool, home and night awaits. The reflection symbolizes this beautifully.

Demolition by Neglect. Beautiful Stephenville WW2 Buildings in Limbo.

Stephenville, Newfoundland  was home to a United States Air Force Base in World War II.  This was an enormous base, and the last stop before Europe. Although many of the hangers are now gone, there are still many buildings from this period remaining. Barracks and other buildings that housed soldiers are now transformed into lovely apartments and private homes. Creative uses have been found for some of the hangers that exist, but some, like in the photo above, are vacant and in limbo, awaiting the next entrepreneurial endeavor. I imagine there are a few people in town who would like to see these vacant shells torn down. I hope they remain up. I would love to see  a creative use for these  beautiful giants with the dramatic auras.

I spent some time photographing the outside of some of these Stephenville WWII buildings. They compliment the photos I have been privileged to take of the interior of the Small Arms Inspection Building in Mississauga, Ontario. During the second world war, over 40,000 women came from across Canada to work in the Lee Enfield Rifle plant there. The Lake View Legacy Project is committed to revitalizing this building as a creative centre with artist studios, theatres, exhibition space, brown field studies & more. Although it, too, sat in  limbo, creativity , co-operation & collaboration has resulted in a promising & positive future for this WWII space in Mississauga.

You're an Art Collector and You Don't know It.. Yet

Above is the 18" x 24" oil painting I did for August's "Second Saturday Collectors" Special" at the Williams Mill Visual Arts Centre , a centre of over 30 working artist studios & their galleries, plus a main art gallery in Glen Williams (Georgetown) , Halton Hills, Ontario.

Artist Carmen Hickson and I (Christine Montague)  started an exclusive art event at the Williams MIll recently entitled "Second Saturday Collectors' Special" . Wait, you say. I am not an art collector and so this event must not apply to me!

But if you think about it, the moment you take that first step, and buy an original work of art, you are a collector. That may not have been your intent, but by making that commitment, you have done more than passively purchase an item to hang in a room, you have done something even better. You have bought something that you respond to emotionally and that speaks to your heart. You have also done something more!  You have just supported your local entrepreneur  -which is what being a visual artist  is (they suffer all the same risks) -  and have contributed to your country's cultural economy.

The event has already created a buzz among the other artists at the Williams Mill where I have my studio and this past Saturday, 5 other artist also participated. Congratulations to Simon MacDonald who immediately sold his painting of a regional scene, with another couple standing by hoping to make it theirs! Wow!

So here's what the buzz about "Second Saturday Collectors' Special" is all about -

• Purchasing art is exciting and special. We want you to experience that special thrill. So on the second Saturday of each month, a brand new art work is unveiled at 12 noon in the studios of each of the participating artists. The unveiled art is a surprise to all. This is even great fun for the other artists at the mill.
• While owning original art is as important as the air to breathe for some, we understand that to many original art is regarded as a luxury item. You may love a work, but you are nervous about actually buying it. SO,  for that day only, the art work unveiled, is offered at a very, very special price.
• Owning original carries bragging rights! The moment you buy a Second Saturday Collectors Special, you have purchased a real work of art, you beat out others to get it, and you have immediately made an profitable investment. How so? Because at 5 p.m. that Saturday if the painting hasn't sold? The "Second Saturday" price label comes down, and the true value label goes up.
• Original art is an instant heirloom.  It has provenance. Who throws out original art? Who puts it in a landfill? It will live on for ever. Hundred years from now, someone will be admiring that work and talking about you - who owned it.
• And last, but not least, you will have purchased locally. To be an artist at the Williams Mill, one can not be a  hobbyist. This is a highly disciplined, entrepreneurial profession with long hours . Like farmers, artists  are passionate about what they do, but artists never get to take a day off and every cent counts.  We appreciate your business.

Second Second Saturday Spashdown

Today was the second of the "Second Saturday Collectors' Special" series offered in my studio and that of fellow Williams Mill artist Carmen Hickson.

Carmen and I each create a new painting that is not unveiled until the second Saturday of each month. For that day only, each of our new paintings are offered at only a fraction of  their worth.

For example, this month's 18" x 24" oil painting one canvas " Study for Summer Fun" - completed just this morning - was only $100 plus HST.  It's wholesale value is $300 plus tax.

Why was this work offered as a lost leader?

Visitors to our studio are always enthusiastic about our work, but  through conversation, it would seem that many of these visitors have never bought original art.

So, we have set about to ease the struggle  the potential collector  may feel in taking that first  step  in buying original art. We sincerely want to help people experience the joy that comes from owning original art ...and it is a joy!

We also have the fun of challenging ourselves in what special work we will create for this special day.

And to add to the excitement - other Williams Mill artists have decided to take part in August's Second Saturday Collector's Special.  Now we can hardly wait for August. What wonderful works and special deals will August bring?

Now You Know How the Mouse Feels

Finally! I  finished the third in the series of "Big Cat" oil paintings. Although visitors to my studio especially love the Big Cat 1 painting and it inspires many a conversation, I have great fondness for the humour behind this work. Wouldn't want to be the mouse. I envision this painting in someone's dining room over the sideboard. It's really title should be " Who's for Dinner?"

Happy Hipstamatic

Just got the Hipstamatic app. I love it. Here are pics just outside my studio at the Williams MIll Visual Artist Centre.

Casson, Christine Montague, & the Contemporary Art Connection in Glen Williams

In early June, an A.J. Casson landscape oil painting "A Street in Glen Williams" sold for the record-breaking price of $542, 800. To see this Group of Seven Canadian landscape painting click here Do you know that Glen Williams - probably considered Ontario cottage country when Casson painted what was a contemporary painting then - is a hamlet only 15 minutes north of Mississauga, Ontario, Canada? And for travelers from Toronto, this cultural destination is only a 40 minute trip away. (It is also accessible by Go train and bus) This painting is not particularly successful in its depiction of a "unique" place - these little houses and fall colors could be almost anywhere in Canada. But then that wasn't Casson's goal. What is remarkable that "Glen Williams" is still a beautifully preserved hamlet of 1850's homes in a true glen, and that it is home to many, many present day artist studios! Glen Williams is protected by the Sheridan Nurseries farmland and the limited growth in the green belt around Toronto.  This fabulous place with the Credit River running through it is protected from urban sprawl. But even more importantly, at Glen Williams's heart is the Williams Mill Visual Arts Centre - home to a huge centre of contemporary artists' studios and where I have the good fortune to have my artist studio. www.christinemontague.com

The Williams Mill moniker is deceptive. The mill is only one of FOUR buildings which house visual artists and crafts people.

1. The 1850's lumber mill is home to graphic artist, painters, sculptors and potters.
2. The 1850's stone power plant is home to jewellers, a quilter, framing service, painters (including www.christinemontague.com) , and my studio mate found art assemblage artist  www.theredpigstudio.com
3. The courtyard has painting, woodcarving, stone carving (4 sculptors) . The gallery connects from the courtyard & represents the mill artists, and has monthly shows of other artists too.
4. The last building is home to Glen Williams Glass Blowers.

So for those of you in wonder of this lovely bit of Canadian art history, or in sheer amazement at the price paid for this Group of Seven, Casson painting , appreciate  the place this painting depicts as well. It is well worth the trip to visit this historic  town - alive and well  with a diverse group of  award-winning  contemporary artists.  And you won't have to pay half a mil to enjoy their work. www.williamsmill.com

Cool Cat

Imagine this big Main Coon cat  greeting you in the hallway when you get home or on the big wall at the stair landing! Well loved by all that visit my studio - even by those who aren't cat fans  (as one woman stated "Imagine if it was a horse!") this cat would be a unique art work for the home.  Painting #2 in the Giant Cat Series. 60" high by 40" wide. Black and white oil painting with gold and silver oil paint and oil stick. Next up - "Who's for Dinner"  - the 3rd in the series is almost finished too.