art collector

Thoughtful Reflections

Art that Inspires

One of the great joys of being an artist who sells online, is that I actually get to have some contact with those who collect my art. Galleries are great, but most galleries keep the collectors names to themselves (rightfully so as their mailing list is their business). It is always a pleasant surprise when I receive a collector’s thoughts on why they purchased one of my polar bear paintings or receive a photo of the painting in situ in their home.

Recently I received these thoughtful reflections from a first time collector of my art that I think capture a lot of what I try to say with my painting. I am not bilingual, but these comments were written to me in French and so I wanted to include them in the language written.

Do you see what this person sees in my art? Id love to know in the comments below.


Reverence 1 ©Christine Montague. 12” x 12” oil painting. Private collection.

Reverence 1:   

It calls me to live with love and gentleness for others, because I do not know what they are going through, but everyone needs to feel respected, recognized, and loved. The beauty of the sky in the background gives me hope for a new day that dawns with the determination to do my part to stop the deterioration of the natural world and maintain hope for a better world since despair and resignation cannot benefits only those who exploit the world and others.

Elle m’appelle à vivre avec amour et douceur pour autrui, car je ne sais pas ce qu’ils vivent, par compte tous ont besoin de se sentir respecter, reconnue, et aimer. La beauté du ciel en arrière plan me donne l’espérance d’un jour nouveau qui se lève avec la determination de faire ma part pour cesser la détérioration du monde naturelle et garder l’espérance pour un monde meilleur puisque le désespoir et la résignation ne bénéficie que ceux qui exploite le monde et l’autrui. 

- F. D. Vancouver, B.C., Canada



Reverence 3. ©Christine Montague. 12” x 12” oil painting. Private collection.

Reverence 3:

I feel a lot of the same emotions with this piece, and by juxtaposing them I see the same bear, but in a different state. Sometimes I interpret his roar symbolizing anger towards an environment that is malicious, unhealthy, aggressive, and hostile. Sometimes it seems to me like a cry of anguish, not knowing how else to respond to this new world. A world dedicated to destroying its existence.

Je ressent beaucoup des mêmes émotions avec cette pièce, et en les juxtaposant je vois le même ours, mais dans un état différent. Des fois j’interprète son rugissement symbolisant une colère envers un environnement qui lui est malveillant, malsain, agressif, et hostile. Des fois ça me semble un cri d’angoisse, ne sachant pas comment répondre à ce nouveau monde autrement. Un monde vouer à détruire son existence. 

- F.D. Vancouver, B.C., Canada

If you enjoy my Reverence Series, there are other square foot paintings still available in the series. You can peruse these polar bear and northern lights paintings in Shop Original Art.

Detail - Reverence 2. See the complete painting here.

Who's For Dinner... or is That Tea?

There are both advantages and disadvantages to being a self representing fine artist. A definite perk is that I get to meet, at least online, the people who will own my work.  Just as the client enjoys the story behind the painting, I like to learn why the painting touches the heart of the collector. Who's For Dinner?, a 48" x 48" black, white and silver oil stick and oil painting cat portrait of a silver Main Coon cat was purchased by a collector in Great Britain. The gracious owner sent me the photo above to show the painting in situ.

Some people buy their art totally from their heart and worry about where it will go later. The painting evokes a memory, or emotion or visceral reaction to the colour and/or texture.  They will find a spot for it somehow. They will switch around the room or the art in their home to suit the art work.  To them, that is part of the excitement and discovery of purchasing new art they are passionate about.

Who's for Dinner. Large scale Main Coon cat oil and oil stick painting by Christine Montague in situ at new home.
Who's for Dinner. Large scale Main Coon cat oil and oil stick painting by Christine Montague in situ at new home.

However,  it is equally valid to buy art with the intention it blends in with a particular room's decor. The paintings size, colour and texture, will add to setting's ambience. The painting will complete the room, not competes with it.

On the other hand, one may purchase a painting to be the focal point of a room. The art work's  size, subject (or lack of it), colour, and texture will dramatically call attention to it. The rest of the decor, like moons to a planet, will rotate around it. The decor will compliment it.

As I self representing artist I am fortunate in that I  get to hear the positive reaction to my art in person. There are many advantages to having gallery representation, but as a gallery artist, one often never knows who has purchased the one's paintings,  or where they go. But to be honest, although I get to meet the collector, and I always wish that the client has a lifetime of enjoyment from my art, in the past I never gave much thought where the client displays the art in their home.

Last year, I delivered a large Lake Dreams Series painting to a client's home where it got the approval of the decorator. The clients loved the painting's subject and mood, which they saw at the Arts on the Credit art fair, but they were specifically searching for an art work that would go with their newly decorated room. In particular, the painting needed to go with a pair of beautiful taupe chairs.  Fortunately for me, the painting really did look spectacular in the room, which was a calm and freshly designed setting. And  I was surprised how my painting of a dock and sky reflecting in the dark lake water, became a more formal art work in this environment. With hindsight,  I realize I should have asked permission photograph the painting in place.

So imagine my delight, when recently, and unbidden, the lovely photo above arrived in my mailbox.  In this case, I know the collector bought a painting he was passionate about.  He discovered it online and loved the portrait and scale of the Main Coon cat painting. But doesn't this photo also show he created a dramatic, yet fun,  focal point for the room, as well as an attractive decor choice? Don't you love the giant Main Coon cat sitting above those lovely gold chairs and black lamp? I am glad "Who's for Dinner?" made it safely from Toronto Area to Great Britain, and if  "Who's for Tea?" is a preferred title, I wouldn't mind at all.

Big Show, Small Works & Chipmunks

As one of the professional visual artists at the Williams Mill Visual Arts Centre, I take part in the annual Christmas Big Show, Small Works show & sale, Nov. 9 - Dec. 24., in the Williams Mill Gallery.

Every year I create a themed small painting series specifically for this show. The first year, the koi paintings on 3"x5" wood blocks were popular. Last Christmas, I sold abstract landscapes in cold wax and oil paint on wood panels. This year, my muses are the chipmunks of the Williams Mill gardens. An aspect of this series that remains consistent with my usual work? Even though the wood panels are small (8" x 10") the chipmunks painted on them are larger than life!

Please scroll down for the invitation below. I hope you can attend this holiday art show, perfect for shopping for unique one-of-a-kind fine art gifts & collectibles.  As well as my paintings, there will be other watercolour, acrylic & oil paintings, jewelry, blown glass, ceramics, fibre art & more in the Williams Mill Gallery. Be sure to drop by my studio in the Stone Building behind the gallery. Gallery hours: Wed. - Sun. 12 - 5 p.m. My studio hours: Fridays, Saturdays 12-5 p.m. Saturday Nov. 19th 1-4 p.m.  Opening Celebration with light refreshments

Invitation to new exhibition. Big Show, Small Art. Williams Mill Gallery Art Show. 2011

"Who's For Dinner" at the Dragonfly? It's Art.

 

 

If you are up in the Orangeville area - just north of Brampton and north-west of Toronto, be sure to drop into the lovely "Dragonfly Arts on Broadway". My larger than life oil and oil stick painting of a cat , seen from  the viewpoint of "something" much smaller, is featured in the window there until Halloween.  I have heard great things about the Dragonfly Gallery over the past couple of years, but had never been there myself until last week.

Broadway is the "main" street accessed directly off Hwy 10, so the gallery is easy to reach. This main street is attractively maintained, has a variety of shops and eating establishments and the parking is free!

"Who's for Dinner?"  - a huge attraction in my studio - is the latest in my big cat series. I don't paint with decorating in mind, but with its dramatic scale, use of black and silver, I have not been alone in  imagining it over a leather couch or over a server in a contemporary dining room. See it at the delightful Dragonfly Arts on Broadway Gallery http://www.dragonflyarts.ca/ until the end of October.

New Painting

 

 

A new painting - a 20" x 20" oil painting study of a child created for "Second Saturday Collectors Special" at the Williams Mill where I have my studio.  Admired but still available!

You're an Art Collector and You Don't know It.. Yet

Riverwood Park Koi Pond oil painting by Christine Montague Above is the 18" x 24" oil painting I did for August's "Second Saturday Collectors" Special" at the Williams Mill Visual Arts Centre , a centre of over 30 working artist studios & their galleries, plus a main art gallery in Glen Williams (Georgetown) , Halton Hills, Ontario.

Artist Carmen Hickson and I (Christine Montague)  started an exclusive art event at the Williams MIll recently entitled "Second Saturday Collectors' Special" . Wait, you say. I am not an art collector and so this event must not apply to me!

But if you think about it, the moment you take that first step, and buy an original work of art, you are a collector. That may not have been your intent, but by making that commitment, you have done more than passively purchase an item to hang in a room, you have done something even better. You have bought something that you respond to emotionally and that speaks to your heart. You have also done something more!  You have just supported your local entrepreneur  -which is what being a visual artist  is (they suffer all the same risks) -  and have contributed to your country's cultural economy.

The event has already created a buzz among the other artists at the Williams Mill where I have my studio and this past Saturday, 5 other artist also participated. Congratulations to Simon MacDonald who immediately sold his painting of a regional scene, with another couple standing by hoping to make it theirs! Wow!

So here's what the buzz about "Second Saturday Collectors' Special" is all about -

  • Purchasing art is exciting and special. We want you to experience that special thrill. So on the second Saturday of each month, a brand new art work is unveiled at 12 noon in the studios of each of the participating artists. The unveiled art is a surprise to all. This is even great fun for the other artists at the mill.
  • While owning original art is as important as the air to breathe for some, we understand that to many original art is regarded as a luxury item. You may love a work, but you are nervous about actually buying it. SO,  for that day only, the art work unveiled, is offered at a very, very special price.
  • Owning original carries bragging rights! The moment you buy a Second Saturday Collectors Special, you have purchased a real work of art, you beat out others to get it, and you have immediately made an profitable investment. How so? Because at 5 p.m. that Saturday if the painting hasn't sold? The "Second Saturday" price label comes down, and the true value label goes up.
  • Original art is an instant heirloom.  It has provenance. Who throws out original art? Who puts it in a landfill? It will live on for ever. Hundred years from now, someone will be admiring that work and talking about you - who owned it.
  • And last, but not least, you will have purchased locally. To be an artist at the Williams Mill, one can not be a  hobbyist. This is a highly disciplined, entrepreneurial profession with long hours . Like farmers, artists  are passionate about what they do, but artists never get to take a day off and every cent counts.  We appreciate your business.