Bright in the Night Special offer
(valid until December 31, 2020)
climate change
(valid until December 31, 2020)
"Blue Bear"" Joins in the Polar Bear Art Advent Calendar Special Offer!
Have you ever heard of Thomas Gainsborough's portrait painting "Blue Boy?" At one time reproductions of this famous portrait of a young man sumptuously dressed in blue, adorned many a home!
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This little polar bear cub represented in shades of blue, doesn't need silk clothes to illustrate the wealth he represents. Not all wealth is financial. The wonder of nature and a planet in balance will provide us with more that we ever need, don't you agree?
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Gold paint symbolize the royalty and intelligence of polar bears, but it also represents the bright sun. This little bear is all in blue, reminding us that he likes ice! But that also he is a handsome (well, cute) blue boy!
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Acrylic painting of a polar bear cub on 4" x 4" x 1.5" wood panel. Background and sides painted in metallic gold acrylic paint. Background is textured.Varnished. Certificate of Authenticity.
Please note: painting does not have text on it.
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$130 CAD ($100 USD) includes tracked, insured shipping Valid until Dec. 31, 2020 (Reg. $150 USD)
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The sweetness of babies is universal. Whether human, or animal, it seems we are all struck by the cuteness of the young. If you have been fortunate, you will have seen a polar bear cub. They are so cute, playful and funny, it almost hurts! So why, you wonder, does this portrait of a dear little polar bear cub have a baby's breath (gypsophila) flower crown on its head?
Well, the flower crown is a symbol of nature, tribute and celebration. It reminds us that our lives - nature and humanity, are as intwined as the flowers in the crown. ( For another flower crown painting visit here)
The white gypsophila represents the innocence of the young bear, and well, that its English name is “Baby’s Breath” is symbolic in itself. Not only do we want that little bear to keep breathing for many year’s to come, but also it’s a reminder, we all share the airspace here. We are connected, that what is important for the polar bear’s survival is also important to our quality of life, too.
Do you know, that my realistic polar bear paintings are all inspired by the photographs I have personally taken of polar bears? This cub is Juno who was born at The Toronto Zoo. I think she is now at the beautiful Assiniboine Zoo, Winnipeg, Manitoba. I have not exaggerated the fur - it quite naturally formed the shape of a heart!
You are invited! Below is the invitation to my solo show of new paintings about polar bears and climate change. Special Guest: James Kushny, a University of Toronto researcher, and Board Director for the Churchill Northern Studies Centre, the remarkable, Leed certified centre in Churchill, Manitoba, where scientists from around the world, study northern sustainability . A portion of sales will be donated to this independent, not for profit, Canadian research centre.
An RSVP for the opening night would be appreciated. For more info, directions or to RSVP please click here.
Dark Water 1 is an oil painting portrait of a beautiful polar bear swimming. The water is dark, as daylight is diminished in the arctic fall.
But dark water has another implication. The earth’s bright white polar ice cap, which serves as a giant reflector for the sun’s heat, is being diminished by climate change from carbon emissions. The melting polar ice increases the darkness of the planet’s surface (hence “dark water”), decreases the sun reflected back into space, and increases the heat absorbed by the earth. More ice melts, which creates more dark water, and so the loop continues.
This loop of sea ice loss and increased dark water endangers the polar bear. Although this magnificent bear is a highly intelligent (think great ape), top-of-the-arctic-food-chain marine mammal (the only bear that is such), and is a powerful swimmer (slightly webbed front paws, highly insulated and buoyant body), it is dependant on the frozen sea for hunting (only seal fat sustains them, not berries or birds’ eggs), resting, feeding (can’t nurse in water) and denning (necessary for mother bears with cubs, semi-hibernation, and to ride out storms). The increase of the period of open water from spring to fall, and the distance between ice tops in winter, leaves the polar bear and its cubs vulnerable to starvation, attack, and drowning.
The polar bear in Dark Water 1 gazes back upon her path, her body twisted as if in question.
It is up to the viewer to imagine how far outside the picture frame the next ice floe waits, and whether or not, until this moment, her journey was a solitary one.